Vancouver’s MOTN creates an underground community – Vancouver Is Awesome | WHs Answers

Meet the MOTN crew.

If you’re walking down Powell Street, blink and you’ll miss the MOTN. Behind the unassuming black door and opaque window is a Vancouver arts and culture hub that’s brimming with optimism, positivity and community, run by a crew of enterprising twenty-somethings.

Every major cosmopolitan city has a vibrant lifeblood of underground music, comedy, photography and art. There is a scene. And venues that host these communities provide the stage for talent to shine on the road to success. In the late ’90s, LA’s Largo was one such venue — it hosted Tenacious D before they found Fate’s Choice, and now regularly plays host to comedy kings.

That MOTN is an incomprehensible space whose sole purpose is to help create a scene in Vancouver that can survive and thrive. Owner and Founder Austin jamieson is 21 with the energy of Gen Z and the ambition of someone who is not afraid of failure. what is the MOTN?last April, jamieson visited a small photo room that was essentially an alcove in a much larger studio attached to another room that was already occupied. He was told all three rooms were part of the deal and initially declined – he wasn’t willing to make such a commitment – but once the idea was in his head, he says he could don’t shake it. He had been saving up for a sailing trip before the pandemic, so he had some seed capital to get it up and running. According to Brennen Little, an in-house photographer and videographer In the MOTN who is known jamieson Ever since high school, he’d been the guy who would show up for photography at 10 in a white button-up shirt and a black blazer, approaching people to work on projects he actually saw through. The couple had a production company where they produced short films and music videos for their fellow rappers. So that’s no surprise jamieson took over the rent for the space and “tricked out” in art over a period of a year, bringing onboard a team of creatives to transform it into a one-of-a-kind events space. Before taking it over, 582 Powell St was a photography and events space , which hosted everything from yoga classes to events bdsm photoshoots. And within months of taking the lease on the business, he shared the lease with left and jamieson called in his friend Jake lapierres converting the second room into a tattoo parlor which recently took on an apprentice, jamison Minard.That MOTN became a tattoo and photography studio by day and a venue by night. “I thought there was a gap in the market for things that were interesting and eclectic in Vancouver,” he explains. However, there are several other venues and studios in Vancouver that rent space to creatives jamieson saw several problems with the way they worked. First, “everything has a niche, but here it’s eclectic,” he points out. Second, the rent is a lot cheaper than most other galleries or venues that charge a 40 percent commission of artists’ earnings, and finally, most other places don’t offer any resources.

A generation of comedy

Over the course of eight months jamieson did whatever he had to do to rent the room. They worked 12- to 16-hour days to keep the lights going, but things really solidified for The in November MOTN’s identity when they had their first comedy show.

“I loved it,” he says, “I loved being part of the community.”

jamieson started coming up with ideas for comedy shows and pitching them to local stand-ups. He believed shows needed to have a hook on them during the pandemic so that people who were nervous about leaving the house, or who might be new to the comedy scene, would be enticed to come out. Shows like “Hot Takes” have seen comedians eat increasingly spicier wings while attempting to perform their stand-up sets, which NFT Show asked comedians to bring an image that existed only in physical form, which would be completely wiped from the internet, and audiences would bid whatever they had in their pockets based on how much they liked the performance. The plan worked and the shows were sold out every time. The team at The MOTN helped promote and market the shows by making art and posters for the comedians to use personally. Bridging visual and performance-based creatives is a gap yet to be bridged in other spaces in Vancouver.

create community

“It’s not just an artist center, it’s focused on supporting businesses and making sure people can pay their rent,” he says jamieson“The greatest achievement is being independent of your art.” People come from all over to watch and be a part of The MOTN Events and it’s not limited to comedy. That cipher series supports local rappers with a beat that runs for two hours and people can jump on open mic style father used for the show “Wheel of Comedy”. Above the stage is a life size Silver surfers and neon signs line the walls. Even if it probably won’t look like that for much longer. jamieson says the plan is to redesign the look of the space as often as possible. “Nobody, including the staff, comes in and it looks the same twice,” he says, “and if I do my job right, it won’t.” The one area of ​​the room that’s largely empty is the aforementioned photograph Alcove where Sam lives Pilson and her wild Y2K-Esque Portrait photography wallpapering one of the three walls. “This is not my retirement plan” jamieson shrugs. He’s more about building a scene, a community, and making a lasting impression on the city. Like many others who work at The MOTN.

Meet the crew

Brennen Little, photographer and videographer, 23

small and jamieson have known each other since 10th grade. While still at school, they founded a production company and made short films and music videos for their rapper friends. “I do a bit of everything,” he says of his role on The MOTN. Little believes this is the type of venue Vancouver “100 percent needs, especially post-COVID.” There are places that play comedy and underground rap, but there’s never been a place quite like a comedy show on Thursday, a fashion show on Friday and rappers on Saturday freestyle.

“A lot of the content is really solo,” Little says of the arts in Vancouver. “I could give you content I see in Vancouver, but not names of people.” In LA, he says there’s a scene and that’s what they’re trying to achieve here.

Ellen Sigurdson, photographer, 21

ellen Sigurdson is a photographer who was friends jamieson Before the MOTN. “I kept showing up,” she says of her affiliation with The MOTN.

She says there are a lot of youngsters in the crowd here, and on previous comedy shows the audience was much older, so she says, “I’m really excited to see where this venue goes.” It’s only a year old and they already have Just organized for Laughs.

Sam Pilson, photographer, 21

Pilson previously had a studio in Langley and were unaware of the importance of the collaboration. “It’s so important to have that support,” she says, “I couldn’t imagine doing the photos alone like I was before.” After attending her first rap cipher Event, she thought to herself, “This is the best community there is in Vancouver.” Pilson loves like that MOTN brings together all the different types of arts communities and all the venues in the city: “I think this is the dumbest one,” she says. She calls it “a place where art happens” that includes everyone.

Vancouver has a reputation for being cold or isolated, but after moving downtown from Langley, she says, “I don’t see Vancouver that way at all anymore… It’s about how you choose to see the world .”

Jamison Minard, tattoo artist, 21

“I have great faith in this place,” says the 21-year-old tattoo apprentice jamison Minard. He calls them MOTN “The ideal place I can imagine to work in Vancouver.” According to him, “everyone has a similar attitude when it comes to ambition, Austin in particular.” Minard was first introduced in The MOTN through a friend who had an art show in the room. When minards his own art was starting to do well on social media and people were encouraging him to tattoo it, he was asking about apprenticeships and jamieson connected him to Jake lapierresThat MOTN’s resident artist.Minard describes his tattooing as “Robert-Core,” which isn’t so much a genre as it deceives people who like to argue about what to call it. He says it was compared to that cyber sigilism but that’s a hallmark of a New York artist/studio.Minard is the latest addition to the crew, but he says it best: “We’re all on the right track.”

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